...Jonathan King vs Aretha - Let It All Hang Out...

...ovaj mix grupe hombres s arethom i johnathan kingom je vishe nego poslastica...neprolazno...uz to i genijalan text isporuchen u laid back kalifornijskom stilu...


The Hombres - Let it All Hang Out Lyrics

(Spoken)
A preachment, dear friend
You are about to receive on John Barleycorn
Nicotine and the temptations of Eve

No parkin' by the sewer sign
Hot dog, my razors broke
Water drippin' up the spout
But I dont care, let it all hang out

Hangin' from a pine tree by my knees
Sun is shinin' through the shade
Nobody knows what its all about
It's too much, man, let it all hang out

Saw a man walkin' upside down
My T.V.s on the blink
Made Galileo look like a Boy Scout
Sorry 'bout that, let it all hang out

Sleep all day, drive all night
Brain my numb, can't stop now
For sure ain't no doubt
Keep an open mind, let it all hang out

It's rainin' inside a big brown moon
How does that mess you baby up, leg
Eatin' a Reuben sandwich with sauerkraut
Don't stop now, baby, let it all hang out

Let it all hang out
Let it all hang out
Let it all hang out

...red house visitor...

...the pleasure is all mine...said the man...

...fuck them, and their law... on the red square...

samo za kraljicu i drushtvo u choshku...sina chuckija i snajku kamilu...

...what we’re dealing with here is a total lack of respect for the law...

I’m the law and you can’t beat the law (Note)

I’m the law and you can’t beat the law

I’m the law and you can’t beat the law

Fuck ’em and their law


Crack down at sundown

Fuck ’em and their law

...red afternoon III...

...what we are dealing with here is...total lack of respect for the law...

...red afternoon...

...my name is agent A and, you must have heard of operation watchtower...

...red afternoon...

...bilo je to crveno popodne...

...white riot...

...naleti' na ovaj komadich videa i naravno reko da ga nabacim ovde...jedan od rijetkih zajednickih nastupa clasha i jimmy pursy-ja iz sham69...istorija...

...joe the magnificient. strummer..

...shoba me podsjeti svojim postom na joe strummera...sramota me da se ja nisam sam sjetio...danas je vech 6 godina kako je joe otishao...ne mogu da vjerujem...na srechu ostala je njegova muzika...niko nije uticao na mene vishe od ovog covjeka...jednostavno, budio sam se i lijegao u krevet uz raznu muziku...ali onaj momenat prije izlaska u grad uvijek je pripadao njegovim pjesmama...aj lov ju dzo...



"The Magnificent Seven"

Ring! ring! its 7:00 a.m.!
Move yself to go again
Cold water in the face
Brings you back to this awful place
Knuckle merchants and you bankers, too
Must get up an learn those rules
Weather man and the crazy chief
One says sun and one says sleet
A.m., the f.m. the p.m. too
Churning out that boogaloo
Gets you up and gets you out
But how long can you keep it up?
Gimme honda, gimme sony
So cheap and real phony
Hong kong dollars and indian cents
English pounds and eskimo pence

You lot! what?
Dont stop! give it all you got!
You lot! what?
Dont stop! yeah!

Working for a rise, better my station
Take my baby to sophistication
Shes seen the ads, she thinks its nice
Better work hard - I seen the price
Never mind that its time for the bus
We got to work - an youre one of us
Clocks go slow in a place of work
Minutes drag and the hours jerk

When can I tell em wot I do?
In a second, maaan...oright chuck!

Wave bub-bub-bub-bye to the boss
Its our profit, its his loss
But anyway lunch bells ring
Take one hour and do your thanng!
Cheeesboiger!

What do we have for entertainment?
Cops kickin gypsies on the pavement
Now the news - snap to attention!
The lunar landing of the dentist convention
Italian mobster shoots a lobster
Seafood restaurant gets out of hand
A car in the fridge
Or a fridge in the car?
Like cowboys do - in t.v. land

You lot! what? dont stop. huh?

So get back to work an sweat some more
The sun will sink an well get out the door
Its no good for man to work in cages
Hits the town, he drinks his wages
Youre frettin, youre sweatin
But did you notice you aint gettin?
Dont you ever stop long enough to start?
To take your car outta that gear
Dont you ever stop long enough to start?
To get your car outta that gear
Karlo marx and fredrich engels
Came to the checkout at the 7-11
Marx was skint - but he had sense
Engels lent him the necessary pence

What have we got? yeh-o, magnificence!!

Luther king and mahatma gandhi
Went to the park to check on the game
But they was murdered by the other team
Who went on to win 50-nil
You can be true, you can be false
You be given the same reward
Socrates and milhous nixon
Both went the same way - through the kitchen
Plato the greek or rin tin tin
Whos more famous to the billion millions?
News flash: vacuum cleaner sucks up budgie
Oooohh...bub-bye

Magnificence!!
...podsjeti me shoba na svom blogu na joe strummera...covjeka kojeg volim vise nego bilo kog ostalog muzichara...covjeka, ciju sam muziku slushao vishe nego bilo sta drugo prije nego bih izashao u grad...joe mi je davao snagu...da budem ja...nadam se da cu ga sresti negdje, nekad u nekoj drugoj dimenziji i popiti s njim pivu i zapalit...aj lov ju dzo...fala ti za jimmy jaza, revolution rock, i fought the law, london calling, white riot, lost in the supermarket, i naravno...7 velichanstvenih...

"The Magnificent Seven"

Ring! ring! its 7:00 a.m.!
Move yself to go again
Cold water in the face
Brings you back to this awful place
Knuckle merchants and you bankers, too
Must get up an learn those rules
Weather man and the crazy chief
One says sun and one says sleet
A.m., the f.m. the p.m. too
Churning out that boogaloo
Gets you up and gets you out
But how long can you keep it up?
Gimme honda, gimme sony
So cheap and real phony
Hong kong dollars and indian cents
English pounds and eskimo pence

You lot! what?
Dont stop! give it all you got!
You lot! what?
Dont stop! yeah!

Working for a rise, better my station
Take my baby to sophistication
Shes seen the ads, she thinks its nice
Better work hard - I seen the price
Never mind that its time for the bus
We got to work - an youre one of us
Clocks go slow in a place of work
Minutes drag and the hours jerk

When can I tell em wot I do?
In a second, maaan...oright chuck!

Wave bub-bub-bub-bye to the boss
Its our profit, its his loss
But anyway lunch bells ring
Take one hour and do your thanng!
Cheeesboiger!

What do we have for entertainment?
Cops kickin gypsies on the pavement
Now the news - snap to attention!
The lunar landing of the dentist convention
Italian mobster shoots a lobster
Seafood restaurant gets out of hand
A car in the fridge
Or a fridge in the car?
Like cowboys do - in t.v. land

You lot! what? dont stop. huh?

So get back to work an sweat some more
The sun will sink an well get out the door
Its no good for man to work in cages
Hits the town, he drinks his wages
Youre frettin, youre sweatin
But did you notice you aint gettin?
Dont you ever stop long enough to start?
To take your car outta that gear
Dont you ever stop long enough to start?
To get your car outta that gear
Karlo marx and fredrich engels
Came to the checkout at the 7-11
Marx was skint - but he had sense
Engels lent him the necessary pence

What have we got? yeh-o, magnificence!!

Luther king and mahatma gandhi
Went to the park to check on the game
But they was murdered by the other team
Who went on to win 50-nil
You can be true, you can be false
You be given the same reward
Socrates and milhous nixon
Both went the same way - through the kitchen
Plato the greek or rin tin tin
Whos more famous to the billion millions?
News flash: vacuum cleaner sucks up budgie
Oooohh...bub-bye

Magnificence!!

...keith richards' little trade secrets...ili male tajne velikog majstora gitarske kuhinje....

u novom broju guitar magazina jedan od mojih omiljenih likova i majstora gitare otkriva svoje omiljene stones pjesme i kako su nastale...zbilja interesantno za kifove fanove...


Keith Richards: Hot Stuff
By Alan di Perna
archive-keithrichards-hotstuff.jpg
Keith Richards

Keith Richards tells the stories behind his 10 all-time-favorite Rolling Stones riffs.


Satisfaction

When I wrote the song, I didn’t think of that particular riff as the big guitar riff. That all fell into place at RCA [recording studio in L.A.] when Gibson dumped on me one of those first Fuzz-Tone pedals. I actually thought of that guitar line as a horn riff. The way Otis Redding ended up doing it is probably closer to my original conception for the song. It’s an obvious horn riff. And when this new Fuzz Tone pedal arrived in the studio from the local dealership or something, I said, “Oh, this is good. It’s got a bit of sustain, so I can use it to sketch out the horn line.” So we left the track and went back out on the road. And two weeks later I hear it on the radio. I said, “No, that was just a demo!” They said, “No, it’s a hit.” At least Otis got it right. Our version was a demo for Otis.

Mother’s Little Helper

The main riff is a 12-string with a slide on it. It’s played slightly Orientalish. This was even before sitars were used in rock music. It just needed something to make it twang, ’cause otherwise the song was quite vaudeville in a way. And it was just one of those things where somebody walked in with it and we went, “Look, it’s an electric 12-string.” It was just some gashed-up job. God knows where it came from or where it went, but I put it together with a bottleneck and we had a riff that tied the whole song together. There’s probably some gypsy influence in there somewhere.

Paint it Black

Brian [Jones, Rolling Stones founder and Richards’ original coguitarist] got into the sitar and used it on a few things, like “Paint It Black.” I found it an interesting instrument, the idea of the sympathetic strings underneath that resonate to the strings on top. But as far as actually playing it—leave that to the Indians. There’s just something about the strings; they were too thin. But Brian loved to dodge around and play dulcimers, mandolins… things like that. [Former bassist] Bill Wyman was also instrumental to the sound of “Paint It Black” by adding the organ pedals. That song is another one of those semi-gypsy melodies we used to come up with back then. I don’t know where they come from. Must be in the blood.

Jumping Jack Flash

“Jumping Jack Flash” comes from this guy, Jack Dyer, who was my gardener—an old English yokel. Mick and I were in my house down in the south of England. We’d been up all night; the sky was just beginning to go gray. It was pissing down raining, if I remember rightly. Mick and I were sitting there, and suddenly Mick starts up. He hears these great footsteps, these great rubber boots—slosh, slosh, slosh—going by the window. He said. “What’s that?” And I said, “Oh, that’s Jack. That’s jumpin’ Jack.” We had my guitar in open tuning, and I started to fool around with that. [singing] “Jumpin’ Jack...” and Mick says, “Flash.” He’d just woken up. And suddenly we had this wonderful alliterative phrase. So he woke up and we knocked it together.

On the record, I played a Gibson Hummingbird [acoustic] tuned to either open E or open D with a capo. And then I added another [acoustic] guitar over the top, but tuned to Nashville tuning [tuned like a 12-string guitar without the lower octave strings]. I learned that from somebody in George Jones’ band, in San Antonio in ’63. We happened to be playing the World Teen Fair together. This guy in a Stetson and cowboy boots showed me how to do it, with the different strings, to get that high ring. I was picking up tips.

Sympanthy for the Devil

Mick brought that to the studio as a very Bob Dylanish kind of folk guitar song, and it ended up as a damned samba. I think that’s the strength of the Stones: give them a song half raw and they’ll cook it.

Street Fighting Man

When we went in the studio, we just couldn’t reproduce the sound of the original demo I did on cassette. So we played the cassette through an extension speaker and I played along with it—we just shoved a microphone into an acoustic and overdubbed it onto the track from the cassette. Then we put it on a four-track, played it back, and at the same time the guitar was going on, I had [session keyboard great] Nicky Hopkins playing a bit of piano and Charlie [Watts, drums] just shuffling in the background. Then we put drums on it and added another guitar while he was doing that, and we just kept layering it.

At that time I was into really compressing the acoustic guitar by running it through the early Phillips and Norelco cassette recorders and really overloading them. They came with a little plastic mic and I’d slam that right down into the acoustic guitar. I did that on “Jumping Jack Flash,” too. With all of those songs, I wanted the drive and dryness of an acoustic guitar, but I still wanted to distort it.

On “Street Fighting Man,” there’s one six-string and one five-string acoustic. They’re both in open tunings, but then there’s a lot of capo work. There are lots of layers of guitars on “Street Fighting Man,” so it’s difficult to say what you’re hearing on there. ’Cause I tried eight different guitars, and which ones were used in the final version I couldn’t say.

Gimmie Shelter

That was done on some nameless Australian full-bodied acoustic [a Maton]. It looked like a copy of the Gibson model that Chuck Berry used. The thing had all been revarnished and painted out, but it just sounded great. Some guy crashed out at my pad for a couple of days, then suddenly split in a hurry and left that guitar behind, like, “take care of this for me.” I certainly did. At the very last note of the take, the whole neck fell off. You can hear it on the original track. That guitar had just that one little quality for that specific thing. In a way, it was quite poetic that it died at the end of the track.

Can't You Hear Me Knocking

On that song, my fingers just landed in the right place and I discovered a few things about that [five-string, open G] tuning that I’d never been aware of. I think I realized that even as I was cutting the track. And then that jam at the end—we didn’t even know they were still taping. We thought we’d finished. We were just rambling and they kept the tape rolling. It was only when we heard the playback we realized: “Oh they kept it going. Okay, fade it out there... no wait, a little bit more, a bit more...“ Basically, we realized we had two bits of music: there’s the song and there’s the jam.

Miss You

That was basically Mick’s song. He said, “Let’s try this disco shit out.” I think he’d been to too many nightclubs, actually. The guitar riff basically suggested itself from the melody Mick was singing. I just shadowed that and ran it behind the voice. It’s just a piece of fun, that song. It can get really funky if you get the right tempo and slam it in. Basically, you’re sitting on Charlie on that.

Start Me Up

I was convinced that was a reggae song. Everybody else was convinced of that. “It’s reggae, man.” We did 45 takes like that. But then on a break I just played that guitar riff, not even really thinking much about it; we did a take rocking away and then went back to work and did another 15 reggae takes. Five years later, Mick discovered that one rock take in the middle of the tape and realized how good it was. The fact that I missed “Start Me Up” for five years is one of my disappointments. It just went straight over my head. But you can’t catch everything.

...Liam Howlett (Prodigy) :: Breezeblock Headline Set...

just copy this link:
http://www.megaupload.com/?d=O832LYET

...there is nothing wrong with a beat my friends, sto bi rfeko nepoznati junak...za vas posjetitelje mog blogicha nashao sam nesto sto ce pravi ljubitelji beata pa i muzike generalno ce znati da cijene...liam howlett je lik koji stoji iza imena prodigy...on pravi svu muziku za njih...liam je poznat kao tip koji poznaje muziku vrlo dobro i ima nevjerovatan smisao za mixanje raznih zhanrova muzike u nevjerovatno dobre i slushljive (koja rijech)mixeve...ovde ima svega od hendrixa i beatlesa, do public enemyja, james browna, beastie boysa, chemical brothersa, bomb the base, bary whitea, charlatans, grandmaster flasha itd... inache liam je mix poslao za breezblock radio show, a poslije ga je iskoristio za svoj album "dirtchamber sessions"...razlika izmedju dirtchamber sessions i ovog mixa ovdje je da je ovaj mix puno duzhi iz dva razloga...prvi je taj sto liam nije mogao da dobije prava na objavu svih stvari s ovog mixa a drugi je taj sto bi mix bio predug za komercijalno izdanje...u svakom sluchaju ovo je poslastica...rijetko ko mozhe staviti bary whitea i sex pistolse zajedno i napraviti da to zvuchi ko bomba...inache mix pochinje kratkim interviewom za breezblock radio show za koji je mix i napravljen...enjoy it...


Liam Howlett :: Breezeblock Headline Set

http://www.megaupload.com/?d=O832LYET




Dynamix II – Give The DJ A Break (White Label)
The Beatles – Sergeant Pepper (Parlaphone)
Hardnoise – Untitled (Music Of Life)
The Chemical Brothers – Chemical Beats (Junior Boys Own)
Ultramagnetic MC’s – Kool Keith Housing Things (Next Plateau)
Last Poets – Sport (White Label)
Unknown Artist – Shangrila (White Label)
Ultramagnetic MC’s – Give The Drummer Some (Next Plateau)
Time Zone – Wildstyle (Island)
Bomb The Bass – Bug Power Dust (Fourth And Broadway)
Grandmaster Flash & The Furious Five – Pump Me Up (Sugarhill)
The Charlatans – How High (Beggars Banquet)
Jimi Hendrix – Little Miss Lover (Polydor)
Ghost Face Killer – Daytona 500 (Epic Street)
The Prodigy – Poison (XL Recordings)
Unknown Artist – The Mexican (White Label)
The B-Boys – Rock The House (Vinterainment)
The Chemical Brothers – Best Part Of Breaking Up (Virgin)
Word Of Mouth – King Kut (Ars Benelux)
Run DMC – Peter Piper (Profile)
Rueben Wilson – Got To Get Your Own (Charly/Red Dog Express)
DJ Mink – Hey Can You Relate (Warp Records)
The KLF – What Time Is Love? (Warner Publishing)
Prankie Bones – Funky Acid Makossa (Underworld NY)
Prankie Bones – Shafted Off (Underworld NY)
Prankie Bones – And The Break Goes Again (Underworld NY)
Meat Beat Manifesto – Radio Babylon (Play It Again Sam)
Public Enemy – Rebel Without A Pause (Def Jam)
Herbie Hancock – Rokit (Columbia)
Prodigy – Smack My Bitch Up (XL Recordings)
Beastie Boys – It’s The New Style (Def Jam)
45 King – 900 Number (Tuff City)
Propellerheads – Spy Break (Wall Of Sound)
Sex Pistols – New York (Virgin)
Medicine – I’m Sick (Next Century Label)
D.S.T – The Home Of Hip Hop (Celluloid)
Biz Markie – Nobody Beats The Biz (Cold Chillin)
Beastie Boys – Time To Get I’ll (Def Jam)
Barry White – I’m Gonna Love You A Little Bit More Baby (White Label)
Public Enemy – Public Ememy No. 1 (Def Jam)
JB’s – Blow Your Head (White Label)
T-La-Rock – Breakin Bells (White Label)
LL Cool J – Get Down (Def Jam)
Digital Underground – Humpty Dance (Tommy Boy)
Uptown – Dope On Plastic (Tommy Boy)
Coldcut – Beats And Pieces (White Label)
London Funk Allstars – Sure Sho" (Ninja Tune)
West Street Mob – Breakdance Electric Boogie (Sugarhill)
Hijack – Doomsday Of Rap (Music Of Life)
Renegade Soundwave – Ozone Breakdown (Mute)
The Besinning Of The End – Funky Nassau (Alston Atlantic)
Jimmy Caster Bunch – It’s Just Begun (RCA)

...hendrix and stones together...praise the lord...

...potaknut jednim postom na ovom blogu: http://nedjeljnikomentar.blogger.ba/ koji me podsjeti na hendrixa, odluchih da malo prokrstarim yuturbetom u potrazi za mozda nekim interesantnim videom hendrixa...yuturbe je stvarno nesto fenomenalno i nikad se ne zna na sa chovjek mozhe naletit'...zhivi nastupi hendrixa snimljeni na video su rijetki i ponadao sam se da cu mozda vidjeti nesto drugo osim vudstoka koji sam kao i svako drugi ko je slusao muziku iz tog doba vec vidio vjerovatno bezbroj puta...i tako...baaaaaam.!!!!!!!!! naletih na ovaj footage hendrixa i stonesa i to prije nastupa u madison square gardenu koji su stonesi imali kada je snimljen "get your ya-ya s out" album...odlican zhivi album iako za mene "love you live" je vrh ali to je stvar ukusa...

ovaj snimak je bar za mene kao sto reche neki lik u komentarima kao da gledash michelangela i leonarda kako cugaju vino i sprejaju graffite iz zajebancije...
komad istorije...nekim chudom spashen...traka sa zvukom je izgleda izgubljena ili ukradna tako da ovaj footage nikad nije ushao u film "gimme shelter" koji su stonesi snimili na ovoj turneji...stvar koja ide u pozadini zove se "my little one" koju su hendrix i brian jones snimili zajedno dok je brian josh bio zhiv...a kazhu da ju je moguche nachi samo na nekom raritetu bootlegu koji je izdao sotheby's poznata aukcionerska kucha iz londona...sviraju jones na sitru, hendrix, dave mason na basu i naravno mitch mitchell na bubnjevima...kazhu da je mitch bio jedini covjek koji se zbilja razumio s hendrixom i da niko drugi nije mogao da ga prati kao mitch... interesantno je gledati odnose i interakciju izmedju hendrixa i stonesa...dzeger ocigledno nije mogao da nametne svoj ego u ovoj situaciji i djeluje totalno nervozno...kazhu da ga hendrix nije bash gotivio jer je istjerao briana iz stonesa a brian i hendrix su bili teshka raja...vjerovatno zato u podlozi i ide ova stvar s brianom...
zamimljivo je da se keith nije usudio ni da pokusha da svira pred hendrixom...hendrix mu dodaje gitaru koja je zbilja kul i keith je koristi da na nju stavi pivu....hahaha....dobri stari keith...ne moze mu se zamjeriti...ipak, mick taylor koji je zamijenio jonesa pri kraju pocinje da se zeza s jimijem i steta je sto je zvuk izgubljen...jedini dio u kojem se cuje originalni zvuk je onaj kad jimi i keith prichaju i jimi ga pita da li je vidio lindu...heheh...linda je bila keithova riba a pomogla je hendrixu kad je dosao u englesku i kazhu cak da mu je dala jednog fendera koji je bio keithov...iako mi je keith drag lik drago mi je da mu je hendrix skino ribu da vidi kako je...kit je poznat po istom s trebama drugih muzicara...konacno je dolijao...i tako...neprocjenjiv komadich videa bar za mene...nadam se da se neda, bajo i macan neche ljutiti sto sam ovo ubacio do njih...

...david holmes...gritty shaker...

david holmes zna znanje...malo ko poznaje muziku ko ovaj chiko...njegovi dj setovi su legendarni...covjek je shetajucha enciclopedija muzike...d.h. je vrh...